It
is important to understand the term craftsmanship if
the current and future value of your investment in furniture is important
to you. As in the 18th century, there are many furniture
makers producing a wide selection of furniture forms of varying
design and quality. For most collectors it is difficult to determine
which of these craftsmen or pieces is better than another.
Given the information
age in which we live, knowing to use “through” dovetails
on a chest or to use “split wedge” construction on a Windsor
chair is not a mystery. While we faithfully reproduce the
finest examples of tiger
maple, maple, & cherry early American furniture,
like us there are many fine furniture makers who produce
furniture using original joinery techniques. In most cases there is little
chance
that their furniture will come apart and in virtually all instances the
furniture will outlast the low-grade furniture produced by most major
manufacturers.
What
then makes one piece of 18th Century reproduction furniture better
than another? Design! Think
about the antique collector’s choice when deciding on the right
piece of antique furniture to invest in. It is common to have two similar
period pieces, made in the same region, in the same time frame and with
the same tools and techniques but have widely disparate values. Given
similar condition and provenance, which are not issues in reproductions,
the piece of superior design is always more desirable and therefore more
valuable. If you read one of the definitive books on antique furniture, The
New Fine Points of Furniture by Albert Sack, you will discover design,
proportion and finish are paramount in evaluating period furniture.
Reproduction furniture is no different.
Douglas R. Dimes has spent a lifetime making reproduction early
American furniture and has been commissioned by some of the
finest early American museums in the country. It is his relentless
scholarship that is the foundation of his craftsmanship. Nearly forty
years of study
has resulted in an understanding of which pieces are the finest examples
of early American furniture, and his disciplined approach
to his craft insures every piece is made to his standard.
Americans have collected
D.R.DIMES furniture since the mid 1960’s.
Over that time, many pieces have resold for significantly more than the
original purchase price. In 1995 an important private antique collection
was auctioned by Christie’s of New York City. The entire collection
was 18th century American decorative arts (including
one piece that sold for almost 2.5 million dollars) except for a handful of reproduction pieces marked D.R.DIMES, 20th century.
A D.R. DIMES Gilpin comb-back Windsor chair sold for
$1,610, or 8 times its original price of $200 in 1980. Other pieces sold
for five times original purchase price.
While we make no specific claim of future value, historically D.R. DIMES
furniture holds its value and continues to be collected by some of the
most discerning furniture connoisseurs in the country.
The D.R. DIMES
brand ensures a piece of impeccable design, historical accuracy and
lasting value. |